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Windows Colour Management

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If you're a photographer then you know colour is important. You want to see the same colours coming from your monitor as you saw when you shot the picture, and you also want to be sure that anyone else viewing your images sees the colours you intend for them to see.

1. Introduction

You probably think, “That’s why we have ‘Colour Management’ – to sort all that out for us.” So you buy a colorimeter device, run the software that comes with it, and your system is all good, right? Not exactly. Particularly if you're a Windows user, that's not enough. In fact you may well see less accurate colours in a calibrated system than in an uncalibrated one, unless you're very careful.

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Digital Sensor Cleaning

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As we enter the adolescence of the digital camera age after spending the last 10 years in childhood, one of the biggest weaknesses of digital imaging with DSLRs is finally starting to be addressed by the camera manufacturers. This weakness is sensor contamination, which results in undesired spots on photographs due dirt blocking light from properly illuminating the pixel sites beneath the dirt. More correctly, it is the filter in front of the sensor that is getting contaminated. This contamination can be from many sources including dust particles, particles shed by the camera through its mechanical motions, particles left over from the manufacturing process that have found its way to the sensor, lubricants used in the building of the camera, environmental contamination, human skin flakes, body and lens cap plastic shards or any of a myriad of other sources.
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My Dream SLR

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It has now been 4 years since my initial article and challenge to DSLR manufacturers to build a better digital camera. Fortunately, many of the items have come to fruition, but there is still work to be done. My initial wish list, and the one-year follow up, as well as the NatureScapes.Net letter to Canon that I drafted included the following items:
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Long-Exposure Astrophotography

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Many nature and landscape photographers have an interest in integrating the night sky into their photo portfolio. Typically, this takes the form of star-trail photography or landscapes lit by only the moon. However, the night sky can make an excellent subject on its own, especially with longer exposures. Adding a tracking mount and some processing techniques to your toolkit will allow you to explore this fascinating area of photography.
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